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King Lear becomes Antaeus’s first

June 10, 2010

The Antaeus Company, L.A.’s classical theater ensemble, presents its first full production of a Shakespeare play, the second offering of the troupe’s inaugural subscription season and the opening of ClassicsFest 2010. This timeless masterpiece of domestic tragedy is a tale of fathers and their unloved sons and daughters, of catastrophic change, and of the individual at the mercy of a hostile world. Bart DeLorenzo directs renowned scholar, actor and Antaeus founding artistic director Dakin Matthews and Broadway veteran/three-time Tony nominee Harry Groener, who are double cast in the title role. 

King Lear marks the first full production of a Shakespeare play in The Antaeus Company’s 19-year history.

“We chose Lear because it’s a fantastic ensemble piece, and because we wanted to feature our founding artistic director, Dakin Matthews,” explains artistic director Jeanie Hackett. “Dakin is one of the country’s foremost interpreters of the Bard, and this is an opportunity to explore a Shakespearean play with the master. We double-cast all our productions, a technique that strengthens the way we collaborate and work together as an ensemble, so we’re incredibly fortunate to have the equally superlative actor Harry Groener to share the title role.”

Widely regarded as Shakespeare’s greatest tragedy and arguably one of the greatest English-language plays ever written, King Lear explores domestic, spiritual and political themes in a primal world and an ambiguous time that could just as easily be hundreds of years ago or hundreds of years from now. Harold Bloom, writing in “The Invention of the Human,” calls King Lear a play that shows “an apparent infinitude that perhaps transcends the limits of literature.”

“Many productions are opening in the U.S. and around the world this year, and that’s not a coincidence” notes DeLorenzo. “Everything is in flux: the economy, health care, the political power structure. When the world is changing, theaters do Lear.

Written by William Shakespeare
Directed by Bart DeLorenzo 

Bart DeLorenzo is founding Artistic Director of the Evidence Room in Los Angeles where he has directed many plays over the last 15 years including local and world premieres by Charles Mee, David Greenspan, Kelly Stuart, Philip K. Dick, Gordon Dahlquist, Martin Crimp, David Edgar, Naomi Wallace, and Edward Bond, as well as his own adaptation of Dickens’ Hard Times, Chekhov’s The Cherry Orchard, and Schiller’s Don Carlos, among many others. His recent freelance work includes the world premieres of Roberto Aguirre-Sacasa’s Doctor Cerberus and Donald Margulies’ Shipwrecked! An Entertainment at South Coast Repertory (later revived at the Geffen Playhouse); the world premiere of Joan Rivers: A Work in Progress by a Life in Progress at the Geffen; Sarah Ruhl’s Dead Man’s Cell Phone at South Coast Rep; Racine’s Britannicus at Cal Rep; and Around the World in 80 Days at the Cleveland Playhouse. Most recently, he directed Charles Mee’s bobrauschenbergamerica for TheSpyAnts at [Inside] the Ford, Adam Bock’s The Receptionist and Caryl Churchill’s A Number at the Odyssey, and the world premieres of Justin Tanner’s Voice Lessons at the Zephyr and Michael Sargent’s The Projectionist at the Kirk Douglas. For his work, he has received five LA Weekly awards and three Back Stage Garlands.

Ensemble:  Daniel Bess, Stephen Caffrey, JD Cullum, Kevin Daniels, Ramon DeOcampo, Jen Dede, John DeMita, Francia DiMase, Allegra Fulton, Harry Groener, Morlan Higgins, Gregory Itzin, Thomas Vincent Kelly, Adrian Latourelle, Dakin Matthews, Rebecca Mozo, Robert Pine, Kirsten Potter, John Sloan, Norman Snow, Tessa Thompson
Also featuring: Adam Meyer, Brett Colbeth, Gabriel Diani, Jeff Doba, Drew Doyle, Jeff Gardner, Bruce Green, Jason Henning, John Francis O’Brien, Renata Plecha, Jeremy Shouldis Paige Wilson
WHEN:
Previews: June 12 – June 25
Performances: June 26 – August 8
Tuesdays at 8 pm: June 15, 22 (previews)
Wednesdays at 8 pm
: June 16, 23 (previews)
Thursdays at 8 pm
: June 17, 24 (previews); July 1
Fridays at 8 pm: June 18, 25 (previews); July 2, 9, 16, 23, 30; August 6
Saturdays at 8 pm: June 12, 19 (previews); June 26 (Opening); July 3, 10, 17, 24, 31; August 7
Sundays at 4 pm: June 13, 20 (previews); 27 (Opening)

Sundays at 2:30 pm: July 4, 11, 18, 25; August 1, 8
Sundays at7:30 pm: July 11, 18, 25; August 1, 8 (dark July 4)

WHERE:
THE ANTAEUS COMPANY
Deaf West Theatre
5112 Lankershim Blvd.
North Hollywood CA 91601
(one block south of Magnolia – ample street parking)

HOW:
(818) 506-1983 or www.Antaeus.org

TICKETS:
Opening Nights* (June 26 & 27): $75   *Antaeus has two opening nights, as all productions are fully double-cast.
Thursday, Friday and Sunday night: $30
Saturday night and Sunday matinee: $34
Previews: $20
ClassicsFest Workshops and Readings: $10

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